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In 2007 the French newspaper Le Monde published a manifesto titled "Toward a 'World Literature' in French," signed by forty-four writers, many from France's former colonies. Proclaiming that the francophone label encompassed people who had little in common besides the fact that they all spoke French, the manifesto's proponents, the so-called francophone writers themselves, sought to energize a battle cry against the discriminatory effects and prescriptive claims of francophonie. In one of the first books to study the movement away from the term "francophone" to "wor
French literature --- History and criticism. --- Literature --- Appraisal of books --- Books --- Evaluation of literature --- Criticism --- Literary style --- Appraisal --- Evaluation
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Literary texts are more or less obliged to make reference to entities beyond themselves. Drawing on other texts, ideas previously written, or on the resources of language, they make their attempts to communicate, entertain, and enlist sympathy, or even to offer counsel. Some texts profess an a priori vision, others adopt a style of reporting only contingencies.A dialogic relation can be posited between the ideal and the real, heaven and earth, imagination and reason, langue and parole, essence and substance, poetry and prose. The poetic and creative impulse is engaged with an ever present need
Religion in literature. --- Literature --- Appraisal of books --- Books --- Evaluation of literature --- Criticism --- Literary style --- Religion in drama --- Religion in poetry --- History and criticism. --- Appraisal --- Evaluation
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Whether a conscious choice or constraint, silence has always been the result of oppression, censorship, trauma, and mental or physical handicap. Its provocative and mysterious nature has always motivated readers and critics towards interpretation. The present volume offers to read and interpret silence - unexpressed emotions, thoughts, hesitations and gestures - on mainly a textual and verbal level. How is the pervasive presence of silence explained in literature and linguistics? The collecte...
Silence in literature. --- Literature --- Silence (Philosophy) --- Philosophy --- Appraisal of books --- Books --- Evaluation of literature --- Criticism --- Literary style --- History and criticism. --- Appraisal --- Evaluation
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Extrait de la présentation d’Alain Harly : Cela ne va pas de soi. Ce sont des mouvements contradictoires qui saisissent le plus souvent le lecteur. Cette ambivalence caractérise d’ailleurs la manière dont cette œuvre fut reçue à l’époque par les éditeurs, le public, la gente littéraire, y compris lors de la publication de ses premiers textes, qui nous paraissent aujourd’hui d’une lecture plus aisée. Pourtant quelques signes nous sont parvenus que quelques z’uns ou z’ unes avaient pu se laisser traverser par cet écrit, s’être laissés emporter, ambivalence comprise, un peu sur le mode de Molly dans son monologue, qui après avoir dit d’irrecevables vérités, peut donner une sorte d’acquiescement, un yes au sujet désirant, malgré tout, ou précisément avec ce qui rate au niveau de ce tout. Nous avons retenu pour ce numéro trois grandes questions où viennent se loger les différentes contributions. […]
Criticism. --- Literature --- Appraisal of books --- Books --- Evaluation of literature --- Criticism --- Literary style --- Literary criticism --- Rhetoric --- Aesthetics --- History and criticism. --- Appraisal --- Evaluation --- Technique
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This 'little history' takes on a very big subject: the glorious span of literature from Greek myth to graphic novels, from The Epic of Gilgamesh to Harry Potter. John Sutherland is perfectly suited to the task. He has researched, taught, and written on virtually every area of literature, and his infectious passion for books and reading has defined his own life. Now he guides young readers and the grown-ups in their lives on an entertaining journey 'through the wardrobe' to a greater awareness of how literature from across the world can transport us and help us to make sense of what it means to be human. Sutherland introduces great classics in his own irresistible way, enlivening his offerings with humor as well as learning: Beowulf, Shakespeare, Don Quixote, the Romantics, Dickens, Moby Dick, The Waste Land, Woolf, 1984, and dozens of others. He adds to these a less-expected, personal selection of authors and works, including literature usually considered well below 'serious attention' - from the rude jests of Anglo-Saxon runes to The Da Vinci Code. With masterful digressions into various themes - censorship, narrative tricks, self-publishing, taste, creativity, and madness - Sutherland demonstrates the full depth and intrigue of reading. For younger readers, he offers a proper introduction to literature, promising to interest as much as instruct. For more experienced readers, he promises just the same.
Literature --- Criticism. --- Criticism --- Evaluation of literature --- Literary criticism --- Rhetoric --- Aesthetics --- Appraisal of books --- Books --- Literary style --- History and criticism. --- Technique --- Evaluation --- Appraisal --- Literature -- History and criticism..
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Books and reading --- Reading comprehension. --- Comprehension --- Appraisal of books --- Books --- Choice of books --- Evaluation of literature --- Literature --- Reading, Choice of --- Reading and books --- Reading habits --- Reading public --- Reading --- Reading interests --- Reading promotion --- Philosophy. --- Appraisal --- Evaluation
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The writers of these chapters are often working with changing assumptions about literary and media interpretations of an American West. Here we see critical approaches to a West that never was, a West of myth so enduring that the myth dominates nearly all artistic representation about this place that never was. In this collection, we see critical approaches to a New West, a West that is a state of mind, not a geographical place but a mythic space with no boundaries and no political inevitabilities. These New Western studies accept the idea of a West that includes Canada, Mexico, Alaska, and, in the case of the US, every geographic and historical point west of the historic founding settlements. The West we study today is a post-West, an idea of the West past the traditional views of an old West dominated by white US nationalism and gendered as uncompromisingly masculine. The idea itself of a single West no longer holds validity. We now understand that all renderings of the West are renderings of multiple Wests; Wests constructed by American nationalists, Wests constructed by EuroAmerican writers and filmmakers, Wests constructed by native peoples, or Wests constructed outside the geographical boundaries of the US. - - This collection presents an eclectic array of new scholarship ranging freely over the New Wests and Post Wests, dealing with issues such as the literature of a 1950's California West; eco-crime genre fiction; the West of Edward Dorn and the Beat Movement; images of prostitution in California Gold Rush literature; European perspectives on film representations of the first peoples; the six shooter and the American West; German Westerns and Italian Westerns; The Authentic Death of Hendry Jones, by Charles Neider; and films such as The Treasure of Sierra Madre, Into the Wild, There Will Be Blood, and The Last Picture Show. - - A unique aspect of this collection is the range of writers interpreting the American West in film and literature; besides those writing from within the United States, five of the writers provide international perspectives from the United Kingdom, and the Universities of Tunis, Vienna, and Rome. - - Each chapter includes a review of scholarship on its subject and an extended bibliography for further research. -
Literature --- Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Appraisal of books --- Books --- Evaluation of literature --- Criticism --- Literary style --- History and criticism. --- History. --- History and criticism --- Appraisal --- Evaluation
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In recent decades, globalization has led to increased mobility and interconnectedness. For a growing number of people, contemporary life entails new local and transnational interdependencies which transform individual and collective allegiances. Contemporary literature often reflects these changes through its exploration of migrant experiences and transcultural identities. Calling into question traditional definitions of culture, many recent works of poetry and prose fiction go beyond the spatial boundaries of a given state, emphasizing instead the mixing and collision of languages, cultures, and identities. In doing so, they also challenge recent and contemporary discourses about cultural identities, fostering a more nuanced understanding of the complexities of identity-formation processes in diverse transcultural frameworks. This volume analyses how traditional understandings of culture, as well as literary representations of identity constructs, can be reconceptualized from a transcultural perspective. In four thematic sections focusing on migration, cosmopolitanism, multiculturalism, and literary translingualism, the twelve essays included in this volume explore various facets of transculturality in contemporary poetry and fiction from around the world. Contributors: Malin Lidström Brock, Katherina Dodou, Pilar Cuder–Domínguez, Stefan Helgesson, Christoph Houswitschka, Carly McLaughlin, Kristin Rebien, J.B. Rollins, Karen L. Ryan, Eric Sellin, Mats Tegmark, Carmen Zamorano Llena.
Literature --- Multiculturalism in literature. --- Literature. --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Appraisal of books --- Books --- Evaluation of literature --- Criticism --- Literary style --- History and criticism. --- Appraisal --- Evaluation --- Emigration and immigration in literature.
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This book is a study of committed reading, an activity animated by three main motives: utilitarian, pleasurable, and self-fulfilling. They are examined within the frameworks of library and information science and the serious leisure perspective as manifested across life's domains of work, leisure, and non-work obligation.
Books and reading. --- Reading interests. --- Interests, Reading --- Reader interest --- Reading, Choice of --- Reading habits --- Books and reading --- Appraisal of books --- Books --- Choice of books --- Evaluation of literature --- Literature --- Reading and books --- Reading public --- Reading --- Reading interests --- Reading promotion --- Appraisal --- Evaluation
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The three essays in this volume illuminate Alfred Schutz’s understanding of literature and literary relationships. The first, “Life Forms and Meaning Structures,” presents such ideal life-forms as duration, memory, the speaking ego, and the I in relation to the Thou. This essay also describes the fundamental nature of human experience, its pluralized realms, the passage of time, perspectival interpretation, action and its impediments—all concepts which make possible an understanding of literature and literary themes. The essay goes on to discuss opera, and the relationship between music and language in opera. The second essay, “The Problem of Personality in the Social World,” offers insights into the unity the social person achieves, temporality, and the role of the body and the importance of pragmatic relevances. This shows how, even before he arrived in the United States, Schutz went beyond his 1932 Phenomenology of the Social World in a pragmatic direction. This essay anticipates Schutz’s 1945 essay, “On Multiple Realities,” by discussing reality-spheres of working, phantasy, dreams, and theory. Reality-spheres are vital for understanding literature, as shown in the third essay, which translates for the first time two Goethe manuscripts produced by Schutz in 1948. The first text, on Lehrjahre, reveals Schutz actually interpreting a piece of literature, tracing the themes of art and life and fate and freedom through the text. The second, a commentary on Goethe’s Wanderjahre, presents an inchoate theory of literature. Defending Goethe’s 1829 version of the Wanderjahre novel, Schutz argues that critics miss the point that readers of literature adopt a specific kind of epoché in which they enter a reality-sphere governed by “the logic of the poetic event,” whose rules are not those of everyday life or theoretical contemplation. In sum, this volume brings out the distinctive character of literary reality and the relationships between author and reader, and invites the reader to derive a sense of how Schutz himself read literature. .
Criticism. --- Style, Literary. --- Style. --- Philosophy & Religion --- Languages & Literatures --- Literature - General --- Philosophy --- Literary style. --- Reality in literature. --- Literature --- History and criticism. --- Appraisal of books --- Books --- Evaluation of literature --- Appraisal --- Evaluation --- Philosophy. --- Phenomenology. --- Philology. --- Linguistics. --- Language and Literature. --- Criticism --- Literary style --- Phenomenology . --- Linguistic science --- Science of language --- Language and languages --- Philosophy, Modern --- Stylistics. --- Linguostylistics --- Stylistics
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